There is something comforting about Charlaine Harris’s writing style and that bleeds through into her characters. My first exposure to Harris was her Sookie Stackhouse short stories from A Touch of Dead and then the first two Aurora Teagarden novels. The reason I mention this is that Midnight Crossroad mixes Harris-the-mystery-writer and Harris-the-urban-fantasy-writer.
Reading the Aurora Teagarden books you wouldn’t think that there are any supernatural elements in the world and reading Sookie Stackhouse you’d think their presence was quite normal so I wasn’t sure which way Midnight Crossroads was going to go.
You don’t have to get more the than the preliminarily pages to know that this one is going to have a strong supernatural thread as Harris gives a mini-introduction into four of her main characters: Manfred an internet psychic (also minor character from her Harper Connelly Series), Fiji an owner of a magic shop with powers of her own, Bobo a pawn shop owner and Olivia who catches a lot of flights.
Told in the third-person we get to spend time with several of cast and get to know all the major and minor characters enough to feel their lives are real though, because the people in Midnight all tend to have their secrets, a lot of who they were before moving to Midnight remains a bit of a mystery. However, that doesn’t stop Harris feeding us with tidbits of what may come later.
And knowing that Harris has chosen to bring characters from her other series into Midnight (I spotted a Lily Bard namecheck (does that mean Bobo is a Lily Bard character?)) compelled me order all her other series (Stookie Stackhouse, Lily Bard and Harper Connelly) in an very bad moment of bookish OCD because I love authors who explore their worlds in different ways (it’s one reason I love Asher’s Polity). It’s another reason I need to crack on and read the second book of the Kings’s Dark Tower but I digress.
Unlike other reviews I’ve read I don’t want to say whose body is found but that moment turns this into a mystery and it doesn’t happen until we’ve established our feet under the table with a most of Midnight’s residents. From that moment on Harris picks up the pace though still remaining calming in her style does some quite brutal things which means I can’t label it as a ‘cosy crime’ story.
I admit to getting a little uncomfortable with the nature of the ‘big bad’ here and I think that it’s going to to appear again as the series progresses but Harris handles a real world-concern well and it is needed to shatter the cosy bubble Midnight could become without it.
Harris makes the sense of community a priority and having Manfred with the outsider eyes and outside questions makes a good conduit for the reader. He’s likeable, in fact everyone is likeable in some way even the scary characters (both those in the community and the ‘big bad’). It does take a little while to settle (fifty pages or so) as we get to know some of the characters but we have a scene at the local restaurant, this brings most of the main characters together, and sets up most of the dynamics, which Harris then cements quite rapidly.
Overall, Harris succeeds in bringing her comforting style, her love of the supernatural together with her skills as a mystery writer to make a Midnight Crossroad into a pleasurable and enjoyable read. You have characters you’d like to spend time with and care about but you are also dying to know what other secrets they are hiding. I can’t honestly wait for my my next visit to Midnight.