Gav Reads

Reading engages, stimulates, challenges and entertains

17 April, 2012
by Gav Reads
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Coming Soon: Other Worlds Than These edited by John Joseph Adams

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What if you could not only travel any location in the world, but to any possible world?

We can all imagine such “other worlds”—be they worlds just slightly different than our own or worlds full of magic and wonder—but it is only in fiction that we can travel to them. From The Wizard of Oz to The Dark Tower, from Philip Pullman’s The Golden Compass to C. S. Lewis’s The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

John Joseph Adams is turning into one of my favourite anthologists. I’ve enjoyed The Improbable Adventures of Sherlock Holmes and been dipping into The Way of the Wizard so I’m happy to trust his judgement though as I’ve got little interest in zombies I certainly won’t be reading The Living Dead anytime soon.

I just love the idea of anthology packed with ‘worlds full of magic and wonder’.

It’s out 3rd July.

12 April, 2012
by Gav Reads
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Cover Art: Jack Glass by Adam Roberts

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Jack Glass is the murderer. We know this from the start. Yet as this extraordinary novel tells the story of three murders committed by Glass the reader will be surprised to find out that it was Glass who was the killer and how he did it. And by the end of the book our sympathies for the killer are fully engaged. Riffing on the tropes of crime fiction (the country house murder, the locked room mystery) and imbued with the feel of golden age SF, JACK GLASS is another bravura performance from Roberts.

Whatever games he plays with the genre, whatever questions he asks of the reader, Roberts never loses sight of the need to entertain. JACK GLASS has some wonderfully gruesome moments, is built around three gripping HowDunnits and comes with liberal doses of sly humour. Roberts invites us to have fun and tricks us into thinking about both crime and SF via a beautifully structured novel set in a society whose depiction challanges notions of crime, punishment, power and freedom.

The cover was released a couple of months ago but it’s not out until 26 July 2012 so I don’t feel I’m being late. Also after the weekend at Eastercon I have couple of postcards with the cover on which reminded me I need to share this.

I’m a big fan of Roberts work. I picked up a hardback first edition of Stone (also at Eastercon) and Yellow Blue Tibia really should have been up for, if not won. The Booker.

Am very much looking forward to this one!

 

10 April, 2012
by Gav Reads
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Reading and Listening Roundup: Absorption, Or The Bull Kills You and The Steel Remains

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Absorption by John Meaney (Gollancz)

Across the ages there are characters three things in common: they glimpse shards of darkness moving at the edge of their vision; they hear echoes of a dark, disturbing musical chord; and they will dream of joining a group called the Ragnarok Council.

There are some books that I read that make me wonder ‘Why didn’t someone convince me to read this earlier?’ Absorption is one of those books. But luckily I read a great review of the sequel, Transmission, and decided that if the second one sounded that good I really should give it a go.

I have to say what kind of put me off in the first place was the same thing that intrigued me: I wasn’t sure how John Meaney would mix of viking myth and space opera elements together. And I should have had a little faith as he twists them around each other very tightly. I don’t know yet what shape he’s making but Absorption definitely sets the stage.

As will all multipoint stories there are some views that are more appealing to follow that others.

Luckily John doesn’t force it by lingering with characters that at that point don’t move the story forward though their lack of stage time in latter chapters is oddly noticeable when you are waiting for them to reappear during scene changes and as will all multipoint stories there are some views that are more appealing to follow that others.

He’s chosen a diverse crew to build up his story. My favourite is probably Roger, a young man that has all manner of talents including being able to travel between dimensions. Meaney also invokes Germany between the world wars – a time and place that I’m starting to feel is a lazy shorthand but not in this case – Meaney looks at the point where physics was on the turn with a greater understanding of the underlying patterns in the universe, which is a good introduction to the scientific complexities (and perhaps impossibilities that he invokes).

It’s nicely compressed something is happening constantly. It doesn’t feel drawn out maybe in a couple of places oddly directed but who knowns where those threads are heading? I’m looking forward to reading Transmission to find out where this SF Norse myth mix is going next.

Paperback jacket

Or The Bull Kills You by Jason Webster (Vintage)

Either you kill the bull, or the bull kills you – traditional proverb. Chief Inspector Max Cámara hates bullfighting but one hot afternoon in Valencia he has to replace his boss, judging a festival corrida that stars Spain’s most famous young matador. That night, he is summoned back to the bullring where the young matador’s dead body now lies, naked and mutilated.

It has to be hard to bring something new to the crime genre. But crime happens everywhere and this time we’re off to sunny Spain. I initially thought this was going to be a crime in translation but like Martin Walker’s Bruno, Chief of Police series Cámara is written by a non-native that’s made the place a home, and like Walker brings out an accessible view of the culture and the place. Or at least that’s what comes across in Or The Bull Kills You.

Setting it at the time of the festival of Fallas is very immersive not only do you get to a Valencia in the raw it tightens the tension as Cámara of investigating the death of such a high profile figure. Though I wouldn’t say that makes him a worse detective. He’s very shambling. He likes an early drink and a not entirely legal recreational smoke. He is however endearing. And a good policeman even if he’s not that methodical he does have a policeman’s nose.

Webster keeps everything flowing nicely and you get a not exactly subtle but not force fed either lesson in bullfighting.

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The Steel Remains by Richard K. Morgan

Ringil, the hero of the bloody slaughter at Gallows Gap is a legend to all who don’t know him and a twisted degenerate to those that do. A veteran of the wars against the lizards he makes a living from telling credulous travellers of his exploits. Until one day he is pulled away from his life and into the depths of the Empire’s slave trade. Where he will discover a secret infinitely more frightening than the trade in lives.

Now The Steel Remains I confess took me three goes over three different formats to get into. The first two were a review copy, and I bought the ebook to try out the format on my new Sony Reader, but I didn’t get very far. There was something in the opening that didn’t quite gel. So I wrote it off as not for me.

When I was choosing my next audio book a while ago I thought I’d give the sample a go and I’m glad I did (I immediately bought The Cold Commands so that’s a giveaway really). Simon Vance is an amazing narrator so that eased me back into the story.

Morgan challenges expectations from the off. His lead hero is gay and excellently portrayed as a hero who is gay rather than a gay hero. A distinction that is important. Morgan has aliens which haven’t elevated the level of technology to higher or a lasting degree apart from in strengthening swords. But by respecting as at the same time subverting lots of fantasy troupes to me it feels fresh and something I enjoyed listening to.

 

10 April, 2012
by Gav Reads
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GavReads 2.0: Evolution Not Revolution

Well I’m back. Missed me?

The place has been given a bit of a spring clean with a new logo and theme. I’ve finally turned off nextread.co.uk and moved a few of its articles and all its reviews over here (though some of the covers might be missing).

It’s been a little quiet around here anyway as mostly I’ve been distracted by twitter my podcast project with Simon of SavidgeReads. And yesterday on The Readers we announced these:

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You wouldn’t believe how excited I am to be doing a book club. It’s already caused some encouraged comment and reaction. It’s not a list of books you’d immediately thing of as a GavReads ™ list but that’s the point. It’s supposed to be a list of books that encourages Simon and I as well as our guests to challenge ourselves as readers and for me that’s encapsulated in Now You See Me and Half Blood Blues but they’ve made the list because of that not in spite of my uncomfortableness with gore and stories set around the two World Wars.

One reason we haven’t read them is that we want the book club feel where a group of people come to a book so they can discuss it together rather than have ‘we think this is good and so should you’  tone. And it’s worth noting that I think a few of the publishers were delighted (if a little surprised) by the choices because we’re hopefully looking from a different angle.

Moving away from the fringes back to something a more central to SFF though very much related. I’ve just come back from Olympus 2012 aka Eastercon and had an amazing time with other fans of SFF fiction. One of the agendas of Eastercon is to address certain entrenched positions in fandom. One that’s really hit me sideways incapsulated in my own revelation. One twitter today I posted:

After #eastercon I’m never going to see world building in SFF as incidental – and I’m not sure I’ll tolerate stock setups in the future. Realistic fiction has little choice in challenging the status quo – SFF should every time!

It’s a statement whose basis is too complex and nuanced to explain in detail here but I think it stands on its own. Though I will say that I now realise why people spend so much energy pursuing novels that don’t use the opportunity which reinvention of a world offers and why this suggests that they are happy with the status quo either consciously or subconsciously. And by not seizing  their chance they are making their own  political statements.

Both the book club and the point about world building highlight some inner challenges I’ve been facing with my reading and I’m not sure how all this is going to play out. But it does feel like a new stage of something hence the title of this post. It definitely feels like I’m going through a bit of a reading evolution. Something I’m nervous and excited by all at the same time.

15 March, 2012
by Gav Reads
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Review: The Snow Child by Eowyn Ivey (Headline)

Synopsis

A childless couple, Jack and Mabal, are making a fresh start at the ‘edge of the world’ in the wilderness of 1920′s Alaska. But Jack is struggling to clear the land and Mabal is loosing herself as the days grow darker.

Then during the first snow of Winter they build a snowman, a snow girl more exactly. In the morning the snowman is gone but at the same time they start getting visits from a girl and their lives turn a corner.

Comments/Thoughts/Analysis

The Snow Child is a strange mix. On one side it is the retelling of a Russian fairy tale and on the other it’s the story of a couple’s struggle with the wilderness. But it is a mix that works.

Eowyn Ivey’s debut is structured around the fairytale and in places it foreshadows events for the readers but rather than making it predictable it draws you deeper in. Mabal is subconsciously and then consciously aware of the parallels between real life events and there fictional counterparts. And oddly this makes it more realistic not less. You do end up wondering if Mabal and Jack projecting their wishes of having a child on the girl that visits them?

But Ivey doesn’t make this a romantic fairy tale. Life is hard for Mabal and Jack and their relationship is strained. The opening chapter sets Jack up as the problem but the more that is revealed the greyer the lines become. Mabal has her own baggage, which Jack is doing his best to deal with.

Luckily the arrival of the child Faina as well the family in the next farmstead that includes the larger than life  Esther who is the complete opposite to the reserved Mabal. They do however become fast friends. And it’s the visitations of Esther and family especially her son Garrett along with Faina that help turn the farm and the relationship between Jack and Mabal around.

Tensions are still there though as Faina appears to be to Esther a fantasy that Mabal has made up to help her cope and in public Jack won’t acknowledge the child’s visits. To make matters worse the child constantly disappears when the snow recedes. The clever thing that Ivey does is play with the punctuation of speech so you’re not quite sure if the child is really speaking or if there is some sort of wish-fulfilment going on.

Ivey also plays our impression of what Faina is. Is she a child of snow or a child that’s trapping animals in the wilderness to survive? Could she be both?

Summary

There has been a lot of buzz surrounding The Snow Child. And the question that is always asked is does it live up to it? Yes absolutely but not just because it’s a fairytale. For me it’s the examination of the nuisances of the various character relationships, both main and secondary, during the stories twists and turns that kept me reading.

Ivey’s debut is truly a modern fairy tale for adults and older children alike.