The Dark Defiles is final book of the A Land Fit For Heroes trilogy. It’s also the longest. The audiobook comes in at an impressive twenty-four hours. That’s a lot of story-time though in pages it comes in at 560, so not a doorstopper of a book, but it does allow Morgan space to explore the consequences of the first two books (The Steel Remains and The Cold Commands). The problem for this reviewer is that I can’t talk about most of it without ruining the efforts that Morgan has gone through to create a series of ‘oo’, ‘ah’, ‘fuck’ and ‘hell yes’ moments.
What I can say is that as an ending to an unconventional tale of heroism Morgan manages to keep control and place the reader in the right place but not until right at the end. Ringil Eskiath, Egar the Dragonbane, and kir-Archeth Indamaninarma are definitely back to finish their respective fates.
The narrative is that Archeth has to recover a fallen Helmesman who delivers a warning which sets the trio on a state-sponsored, though mostly privately-financed, mission on the seas far away from home and from there nothing goes quite to plan.
If you’ve read the earlier two books then you’ll know that Ringil and Archeth make unconventional heroes. One is a deviant and outcast and the other is an immortal half-blood abandoned to life amongst the humans. Egar is the nearest you’ll get to a traditional hero but he more the glue that binds Ringil and Archeth than a hero in his own right. Unlike in The Cold Commands he doesn’t gets his own thread here.
Fate is important as Morgan plays with the idea of perspective. The Grey Places, where Ringil the Dark-Mage-in-the-making often visits, are timeless and adds a long view perspective which would be missing otherwise, another is (and this is a slight spoiler) that in their absence war is declared, like I said nothing goes to plan. So while we are following a quest of three people they are a nexus to which bigger events are rippling outwards from and reaching towards and spectacularly colliding.
Morgan is intentionally setting out to take the model of Standard Epic Fantasy© and dismantling it before putting it back together again in his own way. By doing that it feels fresh but won’t alienate people who expect certain things from Standard Epic Fantasy© like heroes and quests and swords.
Oh the swords, and another mild spoiler, there is another sword which isn’t the Ravensfriend. I like magical swords ever since I read about Elric and his soul-stealing sword the Stormbringer. Morgan definitely gives a nod to that concept on more than one occasion here
But it’s not completely without an injection of technology, as the Kiriath, Archeth’s people who abandoned her, it and the Helmsman to a fate without them. What the technology is ultimately useful for remains unclear but it does have its uses. For example, it resurrects one of the minor characters, making them creeping and disturbing from then on.
Thinking about it The Dark Defiles is an unsettling read. It has lots of disturbing moments, which aren’t in themselves shocking considering the grim nature of the world and the characters, but they culminate, and gain resonance – as mentioned the ripples go out as well as in and they colide at interesting times in interesting ways.
I’m going to restrain from a spoiler to illustrate the point but I was reading another story where one of the characters had said they’d never pick up a gun but at the end circumstances force them to hold and to fire such a weapon. But lets just say that circumstances (or fate) can lead you places you’d never willingly travel.
And that is the heart of A Land Fit For Heroes. You don’t know what you’ll do or where you’ll go until you’re forced into a corner and you have to make a choice. It is also about doing the unexpected when those choices are presented, about defying expectations and about being ‘human’.
I do have a few niggles, mostly with the use of time and how realistic that it is as a timeline for some events mentioned in recent history and the likelyhood for them to be actually be ‘real’ given the timescales of other things but I can forgive that element of doubt as it’s a story about stories and the myths we create for ourselves. And I guess I’m using that as an excuse to brush those observations out of mind and out of sight.
The other things to mention are the pace and scale. In terms of pace as it is longer Morgan has given us an epic world-crossing tale and we follow characters across a map and even though it’s not a criticism it might help manage your expectations. The other is that it doesn’t build in scale. There are armies but there aren’t two armies on battefields screaming at each other. It’s much quieter than that, which is what I meant about leaving the reveal of the outcome until the very end. It’s frustratingly teasing, surprising and right.
Finally, as I listened to the audiobook, I’d be remiss not to mention the acting skills of Simon Vance who again did a marvellous job of keeping all the characters sounding different, creepy, and alive.
The Dark Defiles is a masterful end to a rebuilding of the Standard Epic Fantasy© Model during A Land Fit For Heroes though I’d give anything for an epilogue, even a little one.